Trust the Palma shop that publishes the rules governing your slot and then holds to them: no deposit, no slot; first-come, first-served; no bumping of existing clients; and a turnaround of 6 to 8 weeks from confirmed deposit offered as a planning figure rather than a promised date. Those four rules are the ones we work to at Loft Customs, and they are the ones worth asking any canvas shop for before a deposit leaves your account.
A captain in Palma has no shortage of options for canvas and marine textiles, and what is scarce is certainty about what week five actually looks like at any given shop: whether the panels are cut, the thread is on the machine, and whether the fit date still means what it meant at the deposit. That’s a governance question rather than a craft question.
At Loft Customs we run a 320 m2 workshop at Cami Canal de Sant Jordi 29, Local 9, 07199 Palma, in Son Oms. BJ and Melanie Simons have built the shop since 2014 around one idea we call Race-First Design: the same rigour a race programme demands (measured tolerances, named materials, a sequence run in order) applied to every cover, bimini, sprayhood, and textile package that leaves the door.
Most Palma canvas directories publish a location, a phone number, and a portfolio, when what a captain actually needs before committing is the rule that governs when the work starts and whether it can be moved. Here’s ours, stated flatly.
No deposit, no slot. A deposit secures your place in the build queue, with the balance due on completion. Until that first payment lands nothing is committed on our side: the job sits as an enquiry, and the cloth for it stays on the shelf.
We work first-come, first-served. The slot goes to the confirmed deposit that arrived first, not to the largest boat, not to the most famous flag, not to the loudest broker.
We do not bump existing clients. Once your deposit has secured a slot, a later, bigger, or more urgent job does not displace you.
Typical turnaround is 6 to 8 weeks from confirmed deposit for a standard cover or textile package. That is a planning figure drawn from how we actually build, rather than a promised delivery date. Weather, access to the boat, and the complexity of the pattern all move the real number, and we’ll tell you where yours sits before you commit.
That is a published operating rule you can hold us to, rather than a claim that every job lands on a fixed calendar day regardless of reality. When any shop quotes you a hard date in a Palma August, sight unseen, the useful questions are simple ones: what rule governs their queue, what happens to that date if a bigger job arrives behind yours, and who absorbs the pressure when reality intrudes?
Every serious canvas shop in Palma can show you a tidy double-stitched seam, because craft is table stakes at this level, and the variable that actually decides whether your cover exists in eight weeks is queue discipline.
So before you hand a deposit to any shop, ask the questions that expose queue discipline: if a 40 metre programme with a refit deadline arrives in June, what happens to the job you booked in April, and how would you find out if your fit date had moved? Is the answer a written rule, or a reassurance?
Our answer to that scenario is structural rather than a matter of goodwill: because we do not bump existing clients, a June arrival books the next open slot instead of yours. That’s why we gate the queue with a deposit: it converts a vague verbal “yes” into a fixed, dated commitment that both sides can see.
A deposit is not a formality. It is the mechanism that makes first-come, first-served real, because without money securing the order a queue is just a list of good intentions.
If you want the full sequence of how a job moves from enquiry to fitted cover, it is set out on our process page: the process.
Race-First Design is the reason our turnaround figure is honest: the sequence is fixed, and each stage has a defined output before the next one begins.
The Brief comes first, and it establishes exactly what the piece has to do: the boat, the intended use, the aesthetic, the materials, and the constraints of where and how it will be stowed and handled by crew.
The Measure comes second: for boats we can reach we measure on site, and for boats anywhere else we pattern remotely from CAD, photographs, and a measured brief, which is how we serve owners and crew across the USA and Europe without the boat ever coming to Palma.
The Build comes third, when panels are cut to the pattern and the specified cloth and thread go on the machine. This is the stage the deposit protects, because this is where materials are committed against your name.
Fit and Refine closes it out, when the piece meets the boat, tension and coverage are checked against how the cover will actually be lived with, and adjustments are made before you sign it off.
Each stage produces something the next stage needs, and that’s why a skipped measurement or a vague brief doesn’t just risk a poor result, it moves the delivery date, and we’d rather tell you that at Brief than surprise you at Fit.
The material you choose sets the lead time, the working properties on the bench, and how the finished piece behaves under a Mediterranean summer and an Atlantic crossing.
We build primarily in three cloth families, each chosen for a different job on the boat.
Weathermax is our workhorse for covers and structured work, in the LT weight and the soft-lined SG (Surface Guard) weave. It’s a woven polyester built for marine exposure, and its manufacturer publishes the technical detail on UV and water resistance that we design against rather than guess at: WeatherMax by Safety Components.
Serge Ferrari Stamoid is our reference for smooth, coated, wipe-clean surfaces where a woven cloth would hold dirt or water. Serge Ferrari documents the composite construction and the maintenance behaviour on their own technical pages: Serge Ferrari.
Soltis 86 and Soltis 96, also from Serge Ferrari, are our micro-perforated screen cloths for shade and wind filtering where you want airflow and a view without full opacity.
Thread matters as much as cloth, because a seam is only as durable as the fibre holding it. For high-exposure marine sewing the reference standard is a PTFE thread that holds its strength under UV where conventional polyester eventually degrades, and the manufacturer sets out why in its own literature: Gore Tenara sewing thread.
We name our materials on purpose, because a shop that won’t tell you the exact cloth and thread going into your cover is a shop you can’t hold to a specification, and a specification you can’t hold isn’t one.
BJ Simons is direct about it: “We’re not the cheapest. Other cover makers are cheaper. But we have the techniques. I have the design knowledge. We know what we’re talking about.”
If you want the wider picture of what marine textiles we run and why, it is laid out here: marine textiles in Palma.
Trust is a set of things a shop is willing to write down and be held to, and five of them are checkable before you commit a single euro.
A published slot rule you can quote back to them, which is what the four rules above are for.
A named method with a fixed sequence, so the timeline has a reason behind it rather than a number pulled from the air.
Named materials, so the cover is a specification rather than a surprise.
A workshop with an address rather than a phone number and a promise: ours is the single site named above, Palma is our only base, and there is no second location where your job might quietly move.
Owners you can name: BJ and Melanie Simons have run Loft Customs since 2014, and the shop has served owners and crew across the USA and Europe on the same remote-patterning method we use for boats we can’t reach in person.
That’s not a promise that nothing ever slips, because weather slips, boats become unavailable, and access falls through. What these published rules do is decide what happens when reality intrudes.
We publish a planning figure of 6 to 8 weeks from confirmed deposit for a standard cover or textile package, and we tell you where your specific job sits before you commit. That is an operating estimate drawn from how we build, not a fixed calendar promise, because weather, boat access, and pattern complexity all move the real number.
A deposit secures your place, and the balance falls due on completion. Until the deposit lands you are an enquiry, not a booking, and no materials are ordered against your name. This is deliberate: the deposit is the mechanism that makes first-come, first-served real rather than a verbal list that reshuffles under pressure.
No. We do not bump existing clients. Once your deposit has secured a slot, a later or larger job books the next open slot, it does not displace yours. We govern against displacement as a stated rule rather than a favour.
Yes. We pattern remotely from CAD, photographs, and a measured brief, which is how we serve owners and crew across the USA and Europe. The boat does not need to come to the workshop for us to build to the correct pattern.
We work from a single 320 m2 workshop at Cami Canal de Sant Jordi 29, Local 9, 07199 Palma, in Son Oms. Palma is our only base. There is no second site your job could be moved to, which is part of why the queue stays predictable. Full details of how a job runs are on our process and FAQ pages: the process and the FAQ.
Want a slot governed by written rules?
If you want a slot, the honest first step is a brief, not a deposit. Tell us the boat, the job, and the timeline you are working to, and we’ll tell you where you sit in the queue before any money changes hands.
Quality Assurance
This article was produced under the Probably Genius content quality standard: claims trace to the client’s own verified record, sources are cited to primary references, and the piece must pass an editorial gate before publication.